Frequently asked questions
Answers about AudioEncode, formats, specs, credits, and how one master ships everywhere correctly.
AudioEncode converts finished audio into delivery-ready files — every format, loudness spec, and naming convention — verified against spec before it ships.
A batch is what AudioEncode produces: your master converted to every chosen target — format, sample rate, loudness, naming — verified against spec and packaged for delivery.
AFCUT is the audio intelligence layer underneath AudioEncode and the wider ProduceHits suite. It turns real-world audio into the timing, structure, and stems that AudioEncode works from.
No. AudioEncode runs on your ProduceHits account — one login, one shared library, and one credit pool that works across every product in the suite.
Bring audio you own, created, licensed, or have the rights to process. AudioEncode is built for real-world audio — including lossy MP3s and dense or live-feel material — not just clean demo files.
No. AudioEncode converts real audio you bring. Nothing is generated from a prompt — every file comes from your source master.
Credits are consumed as you process audio and run workflows. One ProduceHits pool funds everything you do across the suite, so AudioEncode and every other workflow draw from the same balance.
Yes. A single credit pool works across AudioEncode and every other ProduceHits product, so credits go wherever your work does.
When a song has already been processed anywhere in the suite, AudioEncode can reuse the existing stems, timing, and analysis — so working from a track you already processed costs less and starts instantly.
AudioEncode is part of the ProduceHits lineup rolling out through early access, alongside SongChop and the other suite tools. See the Products page for the current lineup.
More focused audio products are coming to the suite — for loops, stems, transcription, remix prep, choreography, podcasts, marketing, and more. Join early access to get notified.
Yes. Every track you process stays in your library, so the same source becomes more valuable as you reuse it and as the suite grows new products around it.
Only content you own, created, licensed, or otherwise have the rights to process. You're responsible for the rights to the audio you upload and for how you use the output.
No. ProduceHits is a creative tool, not a rights-clearance or license-clearing service. Clearing rights for your material is your responsibility.
No. Processing privately inside your account is different from publicly distributing finished material. Public sharing, storefronts, and marketing pages need rights-aware judgment.
No. ProduceHits does not sell or rent your personal information. Your data is used to operate your account, process your audio, and provide support.
Outputs you create from audio you have the rights to are yours to use in your own projects, subject to our content-rights and acceptable-use terms.
Your uploads and library live in your account and power your workflows. See our Trust & Safety and Legal pages for how we approach rights, privacy, and durability.
They're the rules for using ProduceHits, covering your license to use the suite, acceptable use, content rights, refunds, and privacy. You can read them on the Legal page.
Yes. By accessing or using ProduceHits you agree to the terms. If you don't agree, please don't use the site or its products.
Yes. We may update our policies as the product evolves; the current versions are always published on the Legal page.
We may suspend or terminate accounts that upload content without rights, abuse the service, or break the rules — with notice where practical.
All of our policies — terms, acceptable use, content rights, refunds, privacy, and GDPR — are on the Legal page.
Prohibited activity includes uploading content you don't have rights to, reselling or reverse engineering the service, and any hacking, spam, piracy, or illegal use.
Still have questions?
If your question isn't listed here, feel free to contact us or start a live chat with our team. We're happy to help!
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